Tag Archives: pre-order

[pre-order] of Montreal – “Rune Husk”

Surprise! of Montreal dropped news on Friday that they have a new EP coming out. “Rune Husk” is a four-track EP that focuses on the darker, more introspective side of Kevin Barnes’ songwriting. It’s a continuation of the more dour side of the band that goes back to an earlier EP, “thecontrollersphere,” and its follow-up LP “Paralytic Stalks.” “Rune Husk” is quite a contrast from the last few full-lengths, especially the relatively bright “Lousy with Sylvianbriar” and the at times danceable “Innocence Reaches.” In hindsight, though, those albums feel like departures  meant to mask the brooding lying just below the surface.

“Paralytic Stalks” was the last of Montreal release with its more or less classic lineup. James Huggins had left prior to the album, but Dottie Alexander, BP Helium, and Davey Pierce remained in the touring lineup, though the album was a very Kevin Barnes solo affair. The albums which followed found an entirely new band, new approach, and new sound. The songs remained autobiographical, but  clearly showed new influences, namely folk, country, and blues.

The material on “Rune Husk” shares more than just the brooding atmosphere that exists on much of “Paralytic Stalks,” but also a return to Barnes’ characteristic lyric writing skills. Verses are often packed to overflowing with a manic spattering of literary references, and more SAT words than a David Foster Wallace novel.

Songs are as solid as one would expect from someone who has been writing music for over twenty years. Some elements become exaggerated though, like Barnes’ penchant for disjunct, labyrinthian song structures and chord changes that sometimes drive a song’s key structure off the rails. That being said, if you’ve been an of Montreal fan for a while you’ll pretty much know what to expect.

It appears that now, with “Rune Husk,” the darkness hidden below the surface couldn’t actually be covered for very long. Whatever temporary reprieve was granted between of Montreal’s last three releases has concluded and Barnes’ is shown retreating back into himself to face his fears, and frustrations, head on.

 
Pre-order and stream of Monteal’s “Rune Husk”
The album will be officially released on March 17 through Polyvinyl, and you can pre-order it here. You can also stream the album on Bandcamp, Apple Music; and purchase it digitally from iTunes, or GooglePlay. Other options available at this link.

The Fun Years – “Ask For The Omega Man”

The Fun Years are getting ready to release their latest full-length. “Heroes of the Second Story Walk-Up,” which is currently up for pre-order on Spring Break Tapes. “Ask for the Omega Man” is the latest track off that forthcoming album.

Ben Recht and Isaac Sparks are The Fun Years, and after poking around Soundcloud for a while to get a feel for the duo’s trajectory “Ask for the Omega Man” sounds not so much like a departure from past endeavors as it is more of an expansion. Whereas a previous release on Spring Break Tapes, “Janice Was Into Recovery” from two years ago, is much more of a drone affair, “Ask for the Omega Man” is focused on more somewhat orthodox song forms.

I know that I already brought this band up the other day, so you’ll have to forgive me, but it would be hard to dismiss the Explosions in the Sky vibe throughout this one. But, at the 2:40 mark, as the lead guitar shifts into into its own haunting pattern, the mood of the entire track shifts from gloomy to nostalgic, even hopeful.

Guitar sounds are downplayed throughout “Janice Was Into Recovery,” while they are the main driving force behind “Ask for the Omega Man.” “Janice…” is made from smaller snippets placed up front in the mix, with melodic material cast more to the background, in an ambient texture. Where “Janice…” draws attention to its nature as a loop, “Ask for the Omega Man” shifts your focus elsewhere with melodic counterpoint keeping the scratchy sounds of the introduction at bay, and buried.

Other releases, including a 10″ out through Three:Four Records in 2009 find The Fun Years working in much the same territory as “Janice…” with somewhat more lo-fi production.

I like the direction that The Fun Years seem to have taken with this latest release. If we can judge an entire album by this one track, that is to say if every track on “Heroes of the Second Story Walk-Up” takes a similar approach, then it is going to be a pretty good album for sure. The Fun Years might be worth keeping an eye on.
Pre-order The Fun Years “Heroes of the Second Story Walk-Up”
Available on Spring Break Tapes! You can also get that 10″ from three:four records from 2009 here if you want to check out earlier material. That 10″ was a limited edition of 489 (?), which apparently hasn’t really been flying off the shelves. So if you have €10 lying around, there you go.

New music from Thou: “The Sacrifice” and “Heathen”

Brutal slow burning metal from the Baton Rouge’s most prolific band Thou.  I’ve posted one of their earlier releases for a few reasons. The first is that they have a new album available for pre-order and I’m highly recommending it; and the second reason is that if you go to the band’s bandcamp page you can download a whole slew of stuff for whatever price you see fit. This, of course, coupled with the fact that “Heathen” is barely a month old so both of the releases in this post are pretty much brand new.

Imagine Russian Circles, Earth and Explosions in the sky meeting up with Deafheaven. The music pushes forward with all of its weight while throat shredding vocals fight to be heard. With a 14+ minute track like “Free Will” there is plenty of time for an expansive buildup, and several contrasting sections of equally sludgy metal.

From just earlier this year “Heathen,” above, features 10 songs, with nearly half of them over 10 minutes in duration. Album opener and “At the Foot of Mt. Drisskill” feature more of the pummeling end of the spectrum while some of the shorter tracks such as “Dawn,” “Clarity,” and “Take off your skin and dance in your bones” clearly show a more plaintive side of the band’s songwriting with delicate guitar soliloquies draped in reverb and delay. Truly some beautiful stuff going on in those shorter tracks that provides a nice counterbalance to the heavier elements displayed on much of the rest of the album.

According to the press release the newest offering is going to be a little different: “Eschewing the crawl found on most of their long-players and upping the tempo a bit while retaining their well renowned doom and roar. Several new bludgeoners (“New Orleans Is a Hole,” “Pill,” and “Eulogy”) are joined with the masterful drone of “I Believe Because It Is Impossible” and, per usual, a ferocious Nirvana cover, this time putting “I Hate Myself and I Want to Die” through their apocalyptic grinder.”

You can hear the new release in its entirety below:

Definitely head over and pre-order “The Sacrifice” right now and then go over to the Thou bandcamp and download a bunch of their other stuff. If you order directly from Robotic Empire you can get $5 off if you buy “The Sacrifice” with their “Baton Rouge” EP. The new one is also going to be released on tape.

New Track: of Montreal – “Fugitive Air”

of Montreal's "Lousy with Sylvianbriar" will be out October 8, 2013
of Montreal’s “Lousy with Sylvianbriar” will be out October 8, 2013

It’s always exciting (at least to me) whenever of Montreal releases an album. They have entered the ranks of “band that can do no wrong” in my mind. I have nothing but love for their entire recorded output. So, naturally, as soon as I saw that this album was up for pre-order I jumped on it.

Though, I will have to admit, after reading about the new direction that Kevin Barnes took when recording this album (one would usually do that prior to throwing down cash for the album, but I knew that I was going to end up buying it regardless). It made me nervous to read that “Lousy with Sylvianbriar” was created with a new songwriting approach, a different recording method, and a fresh group of musicians.” Ok, I am fine with a new approach (I love “Skeletal Lamping”) and I’m on board for a different recording method (I still regularly listen to “False Priest”) but what makes me nervous is that last part, “a fresh group of musicians.”

What did he do with B.P., why did he ditch Dottie? And Davey! You can’t get rid of the bass player in of Montreal! I realize that for years we have been listening to Kevin Barnes’ nervous breakdown, but this is crazy. I’m am keeping the faith, though I’m also not entirely sure what the tour will hold. Rebecca Cash has a fantastic voice that lends a relaxed air to the version of “Feminine Effects” that appears on “Daughter of Cloud.” I’m hoping that will continue through this album as well.

So yes, I am nervous. But that is exciting. The band….Kevin…..is taking gigantic risks with each release and this is just the latest incarnation of those risks. As a fan it’s been great to sit back and listen to the results. He hasn’t let me down yet. It’s like a trust fall.

We have one song as a preview right now, “Fugitive Air,” which will be the opening track on the album. The immediacy of the album’s recording process (apparently 3 weeks from beginning to end) breathes new life into their sound. Barnes takes a soulful approach to his vocals that sounds vaguely bluesy, with a touch of scratchiness added to the production. The song’s bridge transforms itself into a lengthy coda that changes the overall tone of the song from a song that drives forward to one that floats. Lots of good stuff in this track.

Listen to it a few times and get yourself adjusted and excited. The album is currently available for pre-order from Polyvinyl on CD, Vinyl (180 gram “sea glass green,” limited to 1,500 copies), and was also available on green tape (why anyone would buy a tape is beyond me) but it is now sold out.

Polyvinyl//Bandcamp//Twitter//Facebook//YouTube//Web//

Catch oM on tour:

10-18 Athens, GA – 40 Watt Club
10-22 Carrboro, NC – Cat’s Cradle
10-23 Washington, DC – U Street Music Hall
10-24 Washington, DC – U Street Music Hall
10-25 Philadelphia, PA – Union Transfer
10-26 Cambridge, MA – Middle East
10-27 Brooklyn, NY – Music Hall of Williamsburg
10-28 Brooklyn, NY – Music Hall of Williamsburg *
10-29 Cleveland, OH – Beachland *
10-30 Chicago, IL – Lincoln Hall *
10-31 Madison, WI – Majestic Theater *
11-01 Minneapolis, MN – Cedar Cultural Center *
11-02 Omaha, NE – Waiting Room *
11-03 Denver, CO – Marquis Theater *
11-04 Salt Lake City, UT – Urban Lounge *
11-05 Boise, ID – Korah Shrine *
11-06 Seattle, WA – Neumos *
11-07 Portland, OR – Wonder Ballroom *
11-08 San Francisco, CA – Great American Music Hall *
11-09 San Francisco, CA – Great American Music Hall *
11-10 Los Angeles, CA – Echoplex *
11-11 Los Angeles, CA – Largo at the Coronet *
11-12 Tucson, AZ – Club Congress *
11-14 Dallas, TX – Trees *
11-15 Austin, TX – Mohawk *
11-16 New Orleans, LA – Howlin’ Wolf *
11-17 Atlanta, GA – Terminal West *

  • with La Luz

 

New Release: Quasi – “Mole City”

Quasi is Janet Weiss and Sam Coomes
Quasi is Janet Weiss and Sam Coomes

Portland duo Quasi has announced a follow up to 2010’s fantastic “American Gong.” The new 24 track double-LP called “Mole City” on Kill Rock Stars is currently available for pre-order in a variety of formats from standard CD and vinyl to packages that include t-shirt, zine, Quasi recording an outgoing voicemail message for you and other goodies. Also included with pre-order is a bonus CD-R “Covers” EP featuring Quasi versions of “Dont’ Stop Me Now” (Queen), “Let’s Get It On” (Marvin Gaye), and “What’s So Funny ‘Bout Peace Love & Understanding” (Elvis Costello and the Attractions). “Mole City” is set for official release on October 1.

If you are not familiar with Quasi, first of all don’t think of it as “Janet Weiss’ other band,” because this is a whole different animal (not to mention that this year marks the bands 20th year together). Quasi rocks a little harder, with lyrical content that remains, for the most part, rather dark. Always hook-laden melodies with great instrumental work and plenty of noise and feedback.

Check out the dizzying video for the ultra-distorted and heavy track “You Can Stay but You Gotta Go” off of “Mole City.” If this song is a sign of what’s to come on the album then expect to find more heaviness and noise. Sounds good to me. Video posted below and also check the tour dates and catch them when they come to your town.

And if you so desire, check out their website (but it is truly terrible).

And check out “American Gong” in full below:

 

Web//Quasi//Bandcamp//Facebook

10/3 Slowdown, Omaha NE
10/4 Record Bar, Kansas City MO
10/5 Off Broadway, St. Louis MO
10/7 Bottletree, Birmingham AL
10/8 Drunken Unicorn, Atlanta GA
10/9 Local 506, Chapel Hill NC
10/10 Black Cat, Washington DC
10/11 Café Nine, New Haven CT
10/12 Boot & Saddle, Philadelphia PA
10/13 Knitting Factory, Brooklyn, NY
10/14 Mercury Lounge, New York NY
10/16 Great Scott, Allston MA
10/17 Tralf Music Hall, Buffalo NY
10/18 Grog Shop, Cleveland OH
10/19 Schubas Tavern, Chicago IL
10/20 7th St. Entry, Minneapolis MN
11/3 Neurolux, Boise ID
11/4 Kilby Court, Salt Lake City UT
11/5 Hi-Dive, Denver CO
11/7 Dan’s Silver LeaF, Denton TX
11/10 Fun Fun Fun Fest, Auditorium Shores, Austin TX
11/11 Rhythm Room, Phoenix AZ
11/12 Casbah, San Diego CA
11/13 Echo Lounge, Los Angeles CA
11/14 SOhO, Santa Barbara, CA
11/15 Blank Club, San Jose CA
11/16 Bottom of the Hill, San Francisco CA
11/21 Biltmore Cabaret, Vancouver BC
11/22 Tractor Tavern, Seattle WA
11/23 Doug Fir, Portland OR
12/5 The Fleece, Bristol UK
12/6 Brudenell Social Club, Leeds UK
12/7 Broadcast, Glasgow UK
12/8 Deaf Institute, Manchester UK
12/9 Hare & Hounds, Birmingham UK
12/10 Colchester Arts Centre, Colchester UK
12/11 Shepherds Bush Empire, London UK
12/12 Norwich Arts Centre, Norwich UK
12/13 Cargo, London UK
12/14 The Haunt, Brighton UK