Category Archives: 2014

2014, albums, Bandcamp, music, songs

Stream: Balue – “Quiet Dreamer”

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It’s June already, and that means more summertime tunes. Here’s another one coming at us from Fleeting Youth records. This time they’re giving up some tunes that fit somewhere in the chillwave genre, but more it’s really more guitar driven than synth driven. Imagine Washed Out mixed with a bit of Mac Demarco. The harmonies are lush and benefitting from the tape recording, while the vocals are clear, and sung by a highly unique voice.

“Still don’t wanna grow up. That’s never gonna change. Still don’t wanna grow up. That’s never gonna change.”

Those lyrics ring out as the focal point of “Grow Up.” It seems appropriate that those words are delivered in a laid back (way back) manner, over soft hand percussion and a guitar line that’s gently plucked out and pushed ever so subtly back. The song paints a picture of someone staring up at the clouds, daydreaming. And it seems that this one-man band from New Mexico –Balue, aka Eli Thomas– is trying to get across more than anything a very specific mood. The inside cover of the limited edition (only 50 copies) cassette reads “Grab some headphones, dim the lights & relax. Close your eyes; walk down the stairs to the basement of your mind. Take a deep breath, press play & enter my dreams. Music is the best drug of all.”

Meanwhile “Charming Flow” drives a little bit harder, with punchy guitars and comparatively aggressive vocal delivery. Less daydreamy, but not any less moving. The change-up in sound is pretty refreshing to hear. Thomas’ pop sensibilities are strong as is his ability to pen a catchy hook. The song is really good, even if it does hint at a contradiction in that he’s “got more charm than a hundred bill, hundred dollar bill rolled up in your nose.”

You can pre-order the tape from Fleeting Youth right now. And you can also download these two tracks for the price of name-your-own-price right now from their bandcamp page. Eleven tracks of dreamy pop await you.

2014, albums, music, songs, video

Stream: Swans – “A Little God in my Hands”

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Swans’ latest offering “To Be Kind,” their thirteenth album, just hit stores a few weeks ago, and “A Little God in my Hands” is a little glimpse into that world. Though, it is only one track off a 3xLP, and those don’t happen very often. But I guess you need a lot of space to contain some of these ideas.

This track is pretty much a through-composed, one-parter, save for the blast of noise that enters only a minute and a half in. And that blast of noise makes its return about six minutes in to the seven minute track. It begins in a much different place, however. The seemingly gentile harmonies that open the track start off well-intentioned, but are then turned through incessant repetition and the addition of steady downbeat accenting from the bass. Things are made to sound all the more heavy thanks to a sneering, restrained vocal that presents short fragments of a shallow vocal range. The more things repeat the more unsettling it all feels. It seems like I spend most of the time listening to this track waiting for something exciting to happen, but the trick is that that waiting for something exciting to happen is the exciting thing that is happening. The fact that Swans are able to hold the listener in suspense for almost seven minutes with very little harmonic or melodic interest is actually quite a feat.

Of course, like I mentioned, the payoff comes toward the end when the noise doesn’t so much erupt as it does descend down upon the track that has grown stronger through its persistence.

This one is coming off of Swans’ latest, “To Be Kind,” which is out now. You can find it here on vinyl and as a double CD (with or without bonus DVD) or as a download from iTunes and you can find tour dates below as the band is currently touring Europe and the U.S. Check out the non-video for “A Little God in my Hands” below and try not to stare at the album art for very long. It’s kind of creepy.

Swans on tour:

May 31 – Birmingham UK @ Supersonic Festival – Custard Factory *
June 01 – Leeds UK @ Cockpit
June 02 – Brighton UK @ Concorde 2

June 17 – Quebec City, Quebec @ Le Cercle #
June 18 – Montreal, Quebec @ Theatre National #
June 20 – Toronto, Ontario @ MNW Festival (Yonge-Dundas Square) #
June 21 – Detroit, MI @ St. Andrews Hall #
June 22 – Chicago, IL @ Lincoln Hall #
June 24 – St. Louis, MO @ The Ready Room #
June 26 – Dallas, TX @ Trees #
June 27 – Austin, TX @ Mohawk #
June 28 – Houston, TX @ Fitzgerald’s Upstairs #
June 30 – Nashville, TN @ Exit / In #
July 01 – Charlotte, NC @ Neighborhood Theatre #
July 02 – Louisville, KY @ The New Vintage #
July 03 – Pittsburgh, PA @ Rex Theater #
July 05 – Buffalo, NY @ Tralf Music Hall #
July 06 – New Haven, CT @ Toad’s Place #

Sept 02 – Denver, CO @ Bluebird Theatre
Sept 04 – Seattle, WA @ Showbox
Sept 05 – Vancouver, BA @ The Venue
Sept 06 – Portland, OR @ Roseland Theater
Sept 08 – San Francisco, CA @ Independent
Sept 11 – Hollywood, CA @ The Roxy Theatre

  • = w/ Jenny Hval
  • = w/ Xiu Xiu
2014, albums, music, Soundcloud

Stream: Sharon Van Etten – “Are We There”

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I know that nine chances out of ten I’m trying to keep this blog full of music by artists that probably aren’t getting too much attention around the internet, but I couldn’t help taking a day to talk about the new Sharon Van Etten LP.

Not exactly obscure by any stretch of the imagination, I think that it is pretty fair to say that the secret is out about Van Etten. Her renown grows with each release, and after 2012’s “Tramp” it seemed that she’s reached a new peak, but that only means that the stakes were that much higher for her next album.

I think that it was because of that expectation that I had a hard time coming around to listening to “Are We There” for as long as I did. I’ve had several opportunities to listen, as whomever is behind her marketing is doing a pretty great job. No matter where I turn to on the internet there are ads, on Tumblr, on Facebook; and then there are all the blogs that are talking about it. Not that I have read any reviews. I wanted to experience it on my own for the first time. I knew that I would get around to it eventually, but I was tentative. The same thing happens whenever of Montreal releases a new album. I’m such a huge fan that I get nervous that I’m not going to like their latest and I’m going to have to move on from them.

Anyway, it only took a few seconds to realize that “Are We There” was not going to be a disappointing listening experience. Her voice is as confident as ever, maybe even more so. Production-wise, “Are We There” covers similar ground to that of “Tramp” but a little bit of the polish is stripped away. Van Etten’s powerful, emotive, voice is front and center. With her distinctive voice, melodies and lyric material it’s clear that Sharon is constantly pushing herself, and the results on this album are quite striking. The hook that is sticking with me right now is the haunting chorus of “Taking Chances,” perfectly orchestrated to outline Sharon’s upper register, while the verse remains mainly concerned with her breathier alto.

Songs are expertly arranged, and I think that this is most evident on “Your Love Is Killing Me.” It’s on that track that we really hear something being built from the ground up. Beginning with an echoed and distant drum track, an organ eventually makes its entrance, followed soon thereafter by Van Etten’s voice, the guitar slips in almost unnoticed and then the chorus. The way that the entire verse is designed to really launch into that first chorus is pretty powerful, and creates enough tension to propel through to the end of the song. Sharon’s voice grows continually stronger throughout, and by the end one is left struck by how powerful it can be.

I’m sure you’ve probably been hearing a lot about this release already, but (unlike an Arcade Fire album) this one is worth whatever hype can be thrown at it. It’s out now from Jagjaguwar, and Sharon is currently on an extensive tour, just in time for the Summer festival season! If you recall, her last show before taking time away from touring to record this album was in (near) Portland at the Pickathon, and I posted a few tracks here if you are curious.

Pick up “Are We There” anywhere, and catch her on tour everywhere.

Find Sharon on Facebook//Twitter//Instagram//Web//

Fri. May 30 – Barcelona, ES @ Primavera Sound
Sun. June 1 – Koln, DE @ Studio 672
Mon. June 2 – Berlin, DE @ Privatclub
Tue. June 3 – Amsterdam, NL @ Bitterzoet
Thu. June 5 – London, UK @ KOKO
Wed. June 11 – Boston, MA @ Sinclair
Thu. June 12 – Brooklyn, NY @ Music Hall at Williamsburg (Northside Festival)
Fri. June 13 – New York, NY @ Bowery Ballroom
Sat. June 14 – New York, NY @ Bowery Ballroom
Tue. June 17 – Washington, DC @ 9:30 Club
Wed. June 18 – Philadelphia, PA @ Union Transfer
Thu. June 19 – Millvale, PA @ Mr. Small’s
Fri. June 20 – Cleveland, OH @ Beachland Ballroom
Sat. June 21 – Nashville, TN @ Exit In
Tue. June 24 – Denver, CO @ Bluebird Theater
Wed. June 25 – Salt Lake City, UT @ Urban Lounge
Sat. June 28 – Los Angeles, CA @ El Rey Theatre
Sun. June 29 – San Francisco, CA @ The Independent
Mon. June 30 – San Francisco, CA @ The Independent
Wed. July 2 – Portland, OR @ Doug Fir
Thu. July 3 – Portland, OR @ Doug Fir
Sat. July 5 – George, WA @ Sasquatch Festival
Sun. July 6 – Vancouver, BC @ Rickshaw Theatre
Tue. July 8 – Calgary, AB @ Republik
Wed. July 9 – Edmonton, AB @ Starlite Room
Mon. July 14 – Fargo, ND @ Aquarium
Wed. July 16 – Minneapolis, MN @ First Avenue
Thu. July 17 – Madison, WI @ University of Wisconsin
Fri. July 18 – Chicago, IL @ Pitchfork Music Festival
Sat. July 19-Sun. July 20 – Louisville, KY @ Forecastle Festival
Thu. Aug. 7 – Sun. Aug. 9 – Goteborg, SE @ Way Out West
Sat. Aug. 9 – Olso, NO @ Øyafestivalen
Tue. Aug. 12 – Bezirk-Landstrasse, AU @ Arena Wien Open Air
Fri. Aug. 15 – Hasselt, BE @ Pukkelpop
Sat. Aug. 16 – Crickhowell, UK @ Glanusk Park – Green Man Festival

2014, albums, music, Soundcloud, video

Video: Haunted Hearts – “Johnny Jupiter”

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Haunted Hearts is Dee Dee Penny from Dum Dum Girls and Brandon Welchez from Crocodiles. With “Johnny Jupiter” they are giving us a sample of what will be found on their debut “Initiation,” out now.

Elements of shoegaze mingle with krautrock to create a hazy, dreamlike atmosphere on “Johnny Jupiter.” There is a general MBV-ness to the track, but I’m also picking up glimpses of Deerhunter thanks to those kraut-rock elements. The double vocal deliver from Penny and Welchez creates breathy melodies that drift in and out of layers of guitar. This collaboration can definitely find a lot of ways to make use of only a few chords, tracing extended melodic lines across compact harmonic motion.

It’s not completely shoegaze, there are other elements at work, and I think that Haunted Hearts works to subdue the guitars to a certain extent. There isn’t anything that is distorted and noisy to the point of incoherence. Rather, blurred guitars for the most part form a solid foundation upon which melodies delicately float upon. The bass, meanwhile, locks in to a dependable groove that subtly punctuates the drums.

The aptly titled debut album, “Initiation,” was officially released yesterday and is available for immediate download on iTunes, or as FLAC or MP3 from Midheaven. “Initiation” has also been released on vinyl and CD, which can also be ordered through Midheaven.

2014, Bandcamp, EP, music, reviews

Stream: Animal Lover – “Guilt”

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Here we go. Raw and abrasive, Animal Lover is sounding more and more like the 2nd coming of Big Black the more that I listen. The squealing guitar’s harsh cut and ringing harmonics sound the part of Albini, but the rest of the band fleshes out the low end significantly better. What’s the same, though, is the passion, vitriol and energy with which they seem to attack their instruments, and the style of distancing the vocal toward the back of the mix. It sounds as if the singer is maybe being recorded live, sans-effects for the most part across much of the release.

After the screaming cloud of angular guitar noise that is “Plasme,” the opening track, we come to “Lucky Pastures” that immediately recalls the rhythm section from Liars’ first offering that aligned them to the dance-punk bands of the early 2000’s. That slightly crunchy, but still round, bass sound in combination with a punchy drum kit most definitely ties their sounds together. The spaciousness of “Lucky Pastures” provides enough of a contrast to the opening track to show a bit of their range. That toned-down (only a bit) idea is expanded on the album closer “Neighbors” that manages to only barely contain the previous barrage momentarily with a jazz backbeat, clean(er) guitar tone and delicate vocals before showing signs of wanting to blow everything to bits again.

By and large though this is quite a noisy offering. Visceral noise and feedback permeate a good portion of “Guilt” but there are moments, such as in the title track, where the bass and drums are left out in the open to lay down a thin sounding groove, only to explode back into the spiked assault from whence it came. As I keep listening I am hearing a bit of a likeness to Chat Logs, whom I wrote about a few months ago, which is worth a listen if you missed out the first time.

This one is going to be spinning here for a while. Get in on it. The 12″ 45 was just released and is currently available from Learning Curve Records. You can also catch Animal Lover live on the last few of their tour dates if you happen to be in the proximity of the Midwest. Check those dates below and check out the album above.

5-27 Washington, D.C. @ Union Arts DC
5-28 Columbus, OH @ Carabar
5-29 Louisville, KY tba
5-30 St Louis, MO @ MELT
5-31 Carbondale, IL @ Ski House
6-01 Milwaukee, WI @ Quarters

2014, albums, Bandcamp, music, reviews, songs, Soundcloud

Stream tracks from new Le Rug compilation “Press Start: The Collection”

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Le Rug has got pretty good timing, coming at us with a track like “Jailbait,” just in time for the Summer. This track is sure to end up on more than a few playlists designed to accompany roadtrips down a sunny highway to nowhere in particular in the coming months. It’s just one of those carefree and energetic rockers that’s catchy as hell from start to finish.

Of course, being that it is only one track from a 32 track compilation that spans several years, it is by no means representative. “Harold Camping” is a bit more varied in its approach, with the same wild vocal but a guitar sound that is more restrained. Each song throughout the compilation sounds new and familiar at the same time, and though I usually prohibit myself from saying such meaningless-sounding wordfiller type things, it’s really true. Though “Godstar” reminds me of maybe The Burdocks, in the sound of the vocals, and some of the melodies. The rhythms here are less angular, that is for sure, but the melodic sensibility is pretty similar.

Other tracks, like “Get it Over With” and “Dead in a Hole” explore a synthier side that isn’t necessarily any colder timbrally than the other guitar driven tracks, but certainly explore a whole other sound in general. The guitar is ever present, at varying levels of grit. The songs always have the ability to soar and find a way to pull the listener in.

The good news is that there is a whole lot more where this came from. These songs are coming off a 32 track compilation that is set for release June 17th, and can be pre-ordered right now on cassette (recommended) or as a download from Austin’s Fleeting Youth records. According to the press release:
Press Start: The Collection features 5 magnetic and pulsing post-punk releases from Brooklyn’s Le Rug (32 tracks overall)– 3 albums from when Le Rug was more active years ago and 2 new recent EPs released earlier this year.
For now though you can download the tracks above for free. Take some time to ruminate with them. No doubt you will find yourself wanting to listen more and more.

Fleeting Youth//Facebook//Twitter//Instagram//Soundcloud//

 

2014, Bandcamp, EP, music, reviews

Stream: Dream Attics – “Unbend”

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Chillwave dream pop from Milwaukee. Nick Tovarek and Shane English are Dream Attics, and they’ve released a fresh batch of songs to download directly from their bandcamp page.

Each of the songs covers the territory treaded by artists like Washed Out and Neon Indian with swirls of vintage synth sounds and vocals awash in reverb. Strong hooks abound throughout the brief entirety of “Unbend.” I think that the ~13 minute time span of the EP serves as a pretty good introduction to the band that at some points finds them reaching into slightly more rock territory with a few instances of guitar taking a bit of the forefront, with keyboard doubling. During those moments the mix really clears the way, and the washy, overall reverb-soaked sound dries up a bit making the guitar stand out a lot more in the texture than it already would just by virtue of being a guitar sound amongst synths. That part, however brief, does call to mind the sound of Joywave, a band from my hometown. It’s always nice to be able to make a hometown connection in any way that I can.

Head over to the Dream Attics soundcloud page and throw down some money to download the EP. You can also find them on Facebook.

2014, music, songs, Soundcloud

Stream: Eastlink – “Mosquito”

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For the past week or two I kept seeing this band, and this song, pop up and I kept passing it over because I could have sworn that I already posted about this track. But then I finally got un-lazy and actually checked (it took all of 5 seconds, but only because I tried “east link” AND “eastlink”), and realized that I haven’t written about this track yet. I really wish that I had, because this is a rocker that should not go overlooked. Just think of how ahead of the curve I could have been.

Australia’s Eastlink just released their first full-length on In The Red. This band is going strong with four guitars, Diarrhea Planet style. Completely overdriven, out of control and thrashing through this blistering four-minute track. The track is about half-buildup, promptly focusing its attention toward one unrelenting riff and intense vocals. I’m actually having a hard time trying to figure out if I am comfortable going with the “kraut-rock” label. I think that just because of the sheer volume and intensity, that doesn’t even try to hold back or express restraint in any way, that this is certainly not kraut-rock. It’s a whole lot of sound coming out of your speakers, trying its best to completely obliterate them.

The album comes out today, and can be ordered directly from In The Red. While you’re over there, check out the rest that the label has to offer. There are a couple of other new releases that are definitely worth checking out, and you can also hear more at In The Red’s soundcloud page.

2014, EP, songs, Soundcloud

New Release: Baths – “Ocean Death”

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I’ve been a fan of Baths since the debut “Cerulean” was released in the summer of 2010. It didn’t really grab me at first, but I think that it really served as my gateway into electronic music in a lot of ways. I would always try to listen to Boards of Canada and Aphex Twin and other stuff and not really understand it, but when “Cerulean” came around it was really the first full album of electronic music that I could really connect with.

So, I think that, of course, there is some sort of sentimental value hearing this new track, but it’s pretty much undeniably good. “Ocean Death” is the name of the new EP that just came out last week, and is the name of the opening track, heard above. It’s darker in tone than anything on “Cerulean,” and pretty straight forward in comparison.

The opening track is pretty much a 3 part form with the outer parts taking the bulk of the track, and a brief contrasting middle section that drops everything only to build the structure back up again. The latter presentation of the original material features a bit of a development, which is probably a good thing because the first minute or so of the track has a tendency to feel like it is just sort of sitting there, and it just needs to move.

Nice thick bass timbres and a straightforward, moderate tempo dance beat accompany the opening of the song with a fairly static vocal that approaches from behind a perspective shifting harmonic progression. It’s pretty simple as far as songs go, but still effective in creating a darker mood, and captures the breathy, subtle scratchiness of some of the tracks on “Cerulean.”

Baths is currently on tour across the US. Check the tour dates below. “Ocean Death” is currently available as a download from iTunes.

North American Tour Dates w/ Young Fathers & P. Morris:

04/24/2014
The Space – Hamden, CT

04/25/2014
The Bowery Ballroom – New York, NY

04/27/2014
Port City Music Hall – Portland, ME

04/30/2014
Bones Gate Fraternity – Hanover, NH

05/01/2014
S.A.T – Montreal, CA

05/02/2014
Ritual – Ottawa, CA

05/03/2014
Horseshoe Tavern – Toronto, CA

05/04/2014
Magic Stick – Detroit, MI

05/05/2014
Pyramid Scheme – Grand Rapids, MI

05/08/2014
The Vogue – Indianapolis, IN

05/09/2014
Concord Music Hall – Chicago, IL

05/10/2014
Triple Rock Social Club – Minneapolis, MN

05/11/2014
The Aquarium – Fargo, ND

05/13/2014
The Starlite – Edmonton, CA

05/14/2014
Commonwealth Bar & Stage – Calgary, CA

05/15/2014
Fortune Sound Club – Vancouver, CA

05/16/2014
Neumo’s Crystal Ball – Seattle, WA

05/17/2014
Rotture – Portland, OR

05/18/2014
WOW Hall – Eugene, OR

05/21/2014
The Independent – San Francisco, CA

05/22/2014
Cellar Door – Visalia, CA

05/23/2014
Constellation Room – Santa Ana, CA

05/24/2014
Casbah – San Diego, CA

2014, albums, Bandcamp, music

Stream: Dylan Shearer – “garragearray”

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Sometimes it’s good to just clear away all the distorted guitars, strip off the distortion, the tape hiss and reverb; just keep everything really clear and really simple. This doesn’t necessarily mean that you can’t keep things interesting after stripping away all these things. Truth be told, it makes things even more interesting in some ways.

Acoustic guitars, piano, subdued vocals and drums lay down the foundation for Dylan Shearer’s “garragearray” LP, out last month on John Dwyer’s Castle Face records. Each track situates itself a little closer to the listener in a few different ways, not the least of which is this stripping away of extraneous effects and distortion; there’s also an element of rhythmic elasticity within many of the tracks. Phrases stretch out, slow down, add a few beats to a bar here and there, maybe just warp time a little bit to where it’s difficult to even tell what the meter is really supposed to be in the first place. And to have these elements of aleatory inserted into the songs without them coming off sounding like mistakes, having them grow in an organic way, that’s really interesting.

There are also some really unique harmonic choices going on throughout some of the songs. Chords slip in and out of the key, leaning more towards another tonality for measures at a time before comfortably slipping back the very same way that they entered. Every element of the songs throughout “garragearray,” because of these elements, and because of Shearer’s voice – itself shades of Nick Drake with it’s relaxed, though possibly agonized near mumble – that the album just feels more like a living breathing organism than some sterile studio effort. It’s a great take on the singer/songwriter tradition. And the delicate, carefully crafted melodies within the choruses shouldn’t be overlooked. A tune like the one found in “meadow mines (fort poilio)” is something that will stay with you for a while after listening.

“garragearray” is available on CD and limited vinyl as well as download from the Empty Cellar Records bandcamp site. It might also be worth mentioning that Petey Dammit from Thee Oh Sees plays bass on this album.