How can one band so deftly switch from crunchy, distortion laden spastic bursts of rhythmic intensity to dreamy neo-psychedelic vocals? You’ll have to ask Vancouver’s Sprïng. Their most recent release, March’s “Celebrations,” starts off with the track “To Accuse” that does just that. We’re first met with an onslaught of guitars before it takes about 30 steps back, where sweet vocal harmonies enter only to be destroyed by the guitars again.
That seems to be pretty much their M.O. It’s the loud/quiet/loud that we’ve heard so many times before, but there is so much complexity in the louder parts, and so much subtle craftsmanship in the quieter parts that Sprïng’s music is fairly resistant to any genre shoehorning.
Intricate layers of fingerpicked guitars wander through a free flowing progression, while sharply shifting harmonies undercut changes in texture throughout “Show don’t…” and “Follow.” Pulling back a bit it’s interesting to note that Sprïng doesn’t seem interested so much in conventional song forms as they are interested in developing ideas from beginning to end. That’s not to say that there aren’t catchy hooks planted in each track – because there most certainly are – but equally exciting are the instrumental arrangements. If I was going to attempt to compare Sprïng to another band it would probably have to be Akron/Family. Both have a similar style of experimental, noise injected psych freak-outs usually followed by crisp, clear acoustic textures. Both bands seem to be interested in capturing the same overall atmosphere of intimacy with sometimes hushed vocals and clean, up front guitars.
You can stream the entire album above (highly recommended), and check out their latest video for single “Pax Calx” below. The band is also currently on a West Coast tour (lucky for me), dates of which can be seen here, and “Celebrations” is also currently available on vinyl and CD (lucky for you. And me. Us.).