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Stream: Drinking Flowers – “Shadow Show”

Sometimes I don’t know how, and there is no need, to go on for more than a few words about how much I like an album and why. This is the case with Drinking Flowers. I could just say that it’s got tons of hooks with some great, psychedelic production. I could say that they have a sound that successfully melds the swirling, droning hypnotics of Brian Jonestown Massacre with some of the post-modern grit of White Fence, and even the noise of My Bloody Valentine at times. I think if I just said those things that it would be enough for any reasonable person to understand that “Shadow Show” is something that they should be listening to.

The motorik foundation of “Melt Your Mind” is a noisy one-parter with vocals intoned in a mod-like sneer and contrasts greatly from the opening track that revels in excited melodies and backing harmonies. “Pop Underground” comes closest to giving us an anthem, with the repeated monotone of “the international pop underground.” The way that song flips from krautrock repetitiveness to true pop hook chorus shows the range of Drinking Flowers, and their ability to weave in and out of garage-rock, shoegaze, post-punk, krautrock and psychedelia at will, and make it all make sense. Just listen for yourself.

The album is available now through Lolipop Records, and on Drinking Flowers’ Bandcamp page. They are finishing up the last few dates on the West Coast with Corners so check their Facebook page for more info on where they’ll be and what they are up to next.

Stream/Video: Corners – “Maxed Out on Distractions”

Los Angeles area band Corners just released “Maxed out on Distractions” at the beginning of the month; an album full of post-punk’s angular approach to rhythm and echoed guitars combined with the analog synths of chillwave, and even some honest pop hooks. The songs that make up “Maxed Out…” are all coming from the same dark world of Joy Division, but on tracks like “Buoy” they work hard to break out of those constraints, chugging along with a more aggressive guitar riff that sounds closer to The Blind Shake than it does Ian Curtis and co.

With every song it becomes clear that this is what we all keep hoping Interpol will bring us, yet they disappoint us time and time again. Corners are coming in to fill the void, picking up where “Turn on the Bright Lights” left off. Corners, instead of trying to fill every possible second with complex and cerebral contrapuntal constructions, are happy to let the silences and ambiance speak. For example, the extended outro of “Against It” makes a point of capturing and even highlighting the environment in which it was recorded, creating and solidifying the overall aura of the album.

“Love Letters” centers a bit more around the bass and synth than some of the songs on the first half of the album, but I think that the guitar is actually the most important part of the song here. It’s used so sparingly that when those few notes come ringing in over top of the synth you realize that it’s what had been missing all along, or maybe not missing, but it becomes what you as a listener want to come back. The guitar, second only to the voice, is maybe the most affecting part of the song, it’s the hook.

Each track finds Corners taking a slightly different approach. Title track “Maxed Out on Distraction” is at first driven completely by bass and drums, while “On the Run” is clearly a guitar-centric instrumental that borders on surf-rock at some points, and “Love Letters” brings the focus to the vocals.

You can listen to the album in its entirety above from the band’s bandcamp page and check out the video for “Love Letters” above as well. The album is out now on Lollipop and Burger records as a CD, LP or Cassette. You can, of course, also purchase it digitally from the bandcamp page (but why would you do that? That’s boring. Buy a physical copy). You can also find their West Coast tour dates below. If you’re in Washington, Oregon or California, definitely go check them out.

 

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“MAXED OUT” WEST COAST TOUR
10/25 Observatory, Costa Mesa, CA (Beach Goth Party)
10/26 Continental Room, Fullerton, CA*
10/27 Milk Bar, San Francisco, CA*
10/28 Chillanova, Davis, CA*
10/30 Doug Fir, Portland, OR*
10/31 The Cannery, Everett, WA*
11/1 TBA, Seattle, WA*
11/2 Sam Bonds Garage, Eugene, OR*
11/3 Duffy’s Tavern, Chico, CA*
11/4 Townhouse, Venice, CA*
11/5 Federal Bar, Long Beach, CA
11/8 Regent Theatre, Los Angeles, CA (w/ Connan Mockasin)

  • w/ Drinking Flowers