Tag Archives: dan deacon

Wume – “Maintain”

…and speaking of analog synth jams, here is another one, this time from Baltimore synth and drum duo Wume. The band has a new album out entitled “Maintain” on Ehse Records, also based in their hometown.

It’s difficult for me to quite put my finger on a genre that would best describe the jams on “Maintain.” Part Stereolab kraut-rock synths, part early Philip Glass, part psychedelic trance music, part Blade Runner soundtrack; it all depends on which element you’re focusing on at the time.

The buzzing analog synth square waves laid down by Albert Schatz loop, bounce, and layer, and occasionally float or drift in sustained ambience, all combining to create melody lines that dance across the audio field. That each track is averaging around 6 minutes in duration allows plenty of time for these ideas to slowly play out. The track “Voyager” finds the time to work through a complicated accumulation of sound before completely changing gears in the middle of it to try out some other catchy melodies.

Of course, I can’t fail to mention the drums. Bringing in complex meter changes and a jazz sensibility, April Camlin’s drumming really brings the sounds to life. Her rhythm is rock-solid, moving deftly from bare metronomic clicks in the background at the end of “Two Bridges,” or the simple (although, really not that simple for long) four-on-the-floor of “Gold Leaf” to subdued blast-beats of “Voyager.” (Yes, I said ‘subdued blast-beats. Listen to it, you’ll know what I’m talking about). Camlin works the entire kit, taking great pains to switch things up, moving through more timbres than I even knew were options as a drummer.

Check out the entire album above, and the video for “Ostinaut” below. The duo is currently on tour supporting fellow Baltimorian and synth aficionado Dan Deacon. “Maintain” is currently available on CD or vinyl direct from Ehse records.

MusicFestNW 2013

 

Oregon, and the rest of this corner of the country, has really been coming up the past few years with regard to music festivals. There’s Sasquatch, in central Washington, bringing in an impressive lineup of bands in May. The Treefort music festival in Boise in March that brought in a whole slew of great artists like Dan Deacon, Youth Lagoon, Earth and Quasi. Of course, as one of my recent posts pointed out, there is also the annual roots/folk festival just outside of Portland called Pickathon.

But, in my opinion, the most exciting of all of these is the SxSW style MusicFest NorthWest that happens all over the city of Portland for nearly an entire week at the beginning of September. The beginning of September, for those of you that aren’t fortunate enough to live in the Pacific Northwest, is when our weather tends to be absolutely perfect. Little to no rain, warm, sunny, everything you don’t think of when you think of the weather in the Pacific Northwest.

The artists that are brought to this area for each of these festivals keep getting better with each passing year. Last year Lightning Bolt, Deerhoof and Fucked Up playing MFNW were the bands that originally brought the festival to my attention and now that the full lineup has been released I would seriously urge people to sell a kidney if they had to in order to get there.

The full lineup and schedule have been officially released, which includes Neko Case, Animal Collective, Deerhunter, Godspeed You! Black Emperor, Titus Andronicus, Dan Deacon, Superchunk, The Thermals, The Dodos, Surfer Blood and a whole bunch more that I would give anything to see. It’s the largest music festival in the Northwest and the 3rd largest indoor music festival in the country, no small feat.

Wristbands range in price from $90 to $200, each guaranteeing free entry to any show, though the cheaper ones are “space permitting” while VIP is “immediate entry.” You can also buy individual tickets for each show, for those of you that don’t want to spend a week running across Portland (though if you were going to run around a city, Portland would be a good one to do it in. The light rail is pretty fantastic there.) And being that it is very similar in style to SxSW there is, of course, TechFestNW that overlaps with the last two days of the music festival.

If you’re in the area, or even if you are within a few days drive I would say go for it. Catch all the shows you can, and if you can’t get in to all of the shows that you wanted to, hey, you’re still in Portland. Have a beer.

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Stream/Download: Mincemeat or Tenspeed

Mincemeat or Tenspeed
Mincemeat or Tenspeed

You may not imagine a tiny blog like mine that nobody reads would get a steady stream of free music sent to their inbox, but I do. It takes a lot of effort (that 9 chances out of 10 is not worth it) to comb through all of the music that I am thrown on a weekly basis. Hundreds of hours of music.

I get into these moods where I want to listen to something that I have never heard before, or even heard of before. That’s where Burn Down the Capital comes in and never lets me down. I met the dude that not only runs that site, but also puts together crazy shows of the most outside music you could ever imagine across Toronto, several years ago. So, that link might be of a bit more help to you if you live in and around the Toronto area if you’d like to actually check out any of the shows that are posted to the site.

Last week the email he sent out included info about a gig that Philadelphia’s David Harms, aka Mincemeat or Tenspeed, was putting on. I checked it out and got exactly what I wanted. Noisy, challenging music. If you are a fan of early Dan Deacon or Merzbow (or both) then you should check this out. He creates music with “No synthesizers, samplers, sequencers, drum machines, computers, musical instruments.” His only tools are effects pedals and a mixer. What he does with that limited inventory is pretty amazing.

Ranging from pure noise-ambience to electronic pulsations of distorted glitches, he’s got it covered from top to bottom. And the truly great news for you is that there is a great deal of his music that is available for download for free. If you are having a hard time trying to decide where to start, I think that “Live in Black Ops,” “The Tower,” and “Dungeon Master” are where to go. Interesting sidenote that the Soundcloud page claims Providence as his location (perhaps that is more current?) and that the “Dungeon Master” album includes the track “Mindflayer,” also the name of fellow Providence noise master Brian Chippendale’s bands. Check out some of these tracks and then head over here and download.

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